Star trek the motion picture special longer version download

Star trek the motion picture special longer version download

Fully Restored Director's Edition of Star Trek: The Motion Picture Arrives on 4K Ultra HD,919 Replies

Web6/07/ · The first-ever widescreen presentation of the Special Longer Version of Star Trek: The Motion Picture, originally created for broadcast television in The set is Web1/06/ · Star Trek The Motion Picture - Special Longer Version - p HD restoration/reconstruction/fanedit Version (Released) Author slaynmage Date 13 WebStar Trek: The Motion Picture () - Alternate Versions - IMDb Edit Star Trek: The Motion Picture () Alternate Versions Showing all 5 items On November 6, , Web21/06/ · This is a fan made preservation of the long out-of-print Special Longer Version in WIDESCREEN for the first time EVER! This preservation uses the original Web5/06/ · Star Trek The Motion Picture Director's Cut Upscaled To 4K (Klingon Attack) Robert Wise Returned to Restore his vision for Star Trek: The Motion Picture with the ... read more

I also ran the entire HDTV film through Film9 knowing that the dirt filter would not play well with every scene. No degrain or DNR was run on the HDTV footage. There were three scenes with scratches that Film9 was unable to clean. Painting that wiggly tan scratch out of the shuttle pod scene was grueling and took forever. There was also a very light translucent scratch in one of the upscaled SLV scenes the one with McCoy grilling Kirk and I just left that in too because it goes over his face. When I got everything cleaned and converted I ended up with a big pile of media that included the upscaled SLV scenes, the downsized to p dirty HDTV broadcast, the downsized and cleaned copy of the HDTV broadcast, the downsized blue dish clips from the bluray, the downsized and regraded clips with the original subs, and the audio from fanfiltrations edit.

So the final edit of this film is pretty dang clean. The slv clips and most of the whole movie are clean and free of dirt and scratches with the exception of some special effects sequences and a few of the scenes in engineering. When I was editing the film down I found a couple of weird issues and fixed them. The scene included on the D. I do not remember this musical glitch on my VHS tape so I fixed it. I played it over and over with headphones and adjusted the cut and volume envelope until it sounded natural. Your suggestions, technical tips, sharing, and helping me find stuff made this edit my very first fanres possible.

Thanks to Fanfiltration for making the original widescreen version. My brain is fried from working on this nonstop for the last 3 months. Here are a few frames from title 19 that was giving me so much trouble when I tried to use video2x. Gigapixel AI worked out pretty well for me. This is before the artificial grain was added. I remembered wrong about it going through his face. I may try to paint this scratch out by hand for Version 2. This is before adding artificial grain. SOFTWARE USED MakeMKV Handbrake Mkvtoolnix Audacity VirtualDub Film9 GIMP MkvToMp4 Gigapixel A. I Final Cut Pro X. That sounds amazing! Army of Darkness: The Medieval Deadit The Terminator - Color Regrade The Wrong Trousers - Audio Preservation SONIC RACES THROUGH THE GREEN FIELDS.

THE SUN RACES THROUGH A BLUE SKY FILLED WITH WHITE CLOUDS. THE WAYS OF HIS HEART ARE MUCH LIKE THE SUN. SONIC RUNS AND RESTS; THE SUN RISES AND SETS. Project sounds like a great idea. This cut definitely is a memorable one and how I grew up with the film. MKV sounds good to me. Padded would mean the 2. Cropped would be a x video with nothing above or below. Of course since you guys you, Jonno, and ElectricTriangle were so kind to me, your opinions will carry more weight in my decision. Just telling it like it is. I personally prefer things letterboxed. Edit: Well I got a reason. Just keep seeding if you can so other people can have a chance to get it. I want people to see it. Thanks guys. Strangely, he is regarded with a rock star quality, as officers who outrank him give their complete deference. McCoy is, as ever, the curmudgeon who doubles as the conscience and caution of Kirk, Spock, and the Enterprise in general.

The remaining crew are their usual selves and do their thing; development is reserved for the principals. Lastly, but not leastly, is Lieutenant Ilia, who is the hottest bald chick who ever lived. The character to take center stage, however, is the Enterprise itself. As Kirk approaches in a shuttle craft, this vessel is given a revealing introduction that is so lovingly intimate it can only be described as pornographic. Kirk observes it in awe, holding a tear back only just; as an Admiral he only longed to return to its ivory embrace. The portentous tone set so far becomes deserved with this reverent introduction – after so many years of Trek, and the many to come, it has become an important part of our pop culture. The deification of the Enterprise is in keeping with the mission statement of ST1: We Mean Business.

This reintroduction to the Star Trek mythos has a reverence that is self-serious and almost drives off the nearest cliff of pretension, but I can appreciate that. Trek is in some ways about the best in all of us, the drive to discover in both galactic knowledge and intellectual endeavor. Everything works the way it should, and most everyone works together in a universe where cynicism takes a backseat to greater matters. The journey upon which they are to embark is of a distant threat, but it turns ever inward as their exploration of an intelligent alien lifeform teaches the human involved most about the value of humanity.

All is not well, however, as Kirk is a bit rusty at the helm, and his unfamiliarity with his charge endangers the mission. He must come to grips with his limitations, and learn to accept criticism. Spock must come to terms with his human side, as his search for Kohlinar dovetails with this alien superintelligence that has achieved perfect logic – and is deeply flawed because of it. Bones must keep the potential conflict of interests of these two from destroying everyone. It is interesting to see how such longstanding characters can be established, yet still be capable of change when necessary.

Throughout, there are fun details that make this a rich experience. There is a transporter accident that eventually leads to Spock’s arrival, but at the time, it seriously messed me up as a six year old kid. Bad omens abound as a wormhole is created by a warp drive problem; it looks awesome, but also serves to immerse us in that lovely pseudoscience that is Trek’s bread and butter. When the alien is finally reached, it becomes a familiar Trek struggle – discovering a way through using some trial and error, and brilliant guessing as they work to define a new method of communication with the unknown. And during this process, delicious hints are dropped that perhaps the crew is more familiar with this threat than they realize. The vessel itself, and its imaginative design is beautiful, pulling us inward. During the course of the film, perspective is cleverly used to give an idea of the scale of the ships involved. The shuttle craft that docks with the Enterprise is minuscule; the Enterprise is in turn swallowed whole by the alien craft.

The scene where Kirk wordlessly negotiates with the alien vessel is a thoughtful presentation of intuitive writing: Kirk orders Sulu to drift over the alien ship at a range of m, then go back out to km. Whatever language you speak, the move insinuates the desire to enter. ST1 is in no hurry to reach its destination, and that suited me fine. What is done will transpire no sooner than it is meant to. Spoilers ST1 has no real plot apart from the crew finding their way to the center of the threat – interpretation, adaptation, and discovery. The slow pacing is meditative, and threw off many who otherwise dismissed ST1 as a dull meander. Fair enough – discovery rewards the patient, and the crew of the Enterprise comes to find an alien intelligence that challenges their understanding of what intelligence is.

In a way, the search is also for where religion lies in human understanding; the alien seeks the Creator, and in this setting, where a machine has achieved self-awareness, artificial intelligence becomes a misnomer. Exploration of Man as God and playing with ideas regarding the nature of intelligence is what makes this Star Trek fascinating. The probe that V’GR sends to the Enterprise is a recreation of Ilia down to the molecular level with machines, suggesting that intelligence comes from the design of the mechanism – the physical symbol systems hypothesis of AI theory. At the same time, the alien is incomplete, childish, and unwise for its lack of carbon units. Life itself and the formative experience of evolution over eons and adaptation over a single lifetime is what creates a flawed and learning intelligent being.

And all this came from penetrating an orifice to the reach a chamber where answers lie. The way in which Kirk, Spock, and McCoy work through this philosophical debate is a joy to watch, and contrast sharply to the Star Wars approach. There is no central threat to shoot at until it explodes – this is a two and a half hour negotiation. Small wonder it has so little mass appeal. The end is hinted at all along, and we progress haltingly toward that end over an uncertain sojourn. It is preposterous and overwhelmingly pretentious, and serious to a fault. On the other hand, the ambition to toy with ideas regarding the meaning of intelligence and our place in the universe as a stand-in for God? A computer of perfect logic achieves completion by merging with flawed humanity Bones delivers a child, he muses , and a human from the Enterprise crew merges with the computer because of his need for hot bald chicks.

I think that covers all one needs to know about human nature. That is why I have an unreasonable love for Star Trek: The Motion Picture. With a franchise as big as Star Trek the quality of material tends to land on both sides of the “great to terrible” spectrum. When considering the movies of the franchise you have classic hits The Wrath of Khan and absolute disasters Star Trek: Insurrection. You also have some movies that unfortunately get regulated to the sidelines. Star Trek: The Motion Picture is one of the lesser watched a little discussed films of the Star Trek franchise. While it was the first Star Trek movie released, contemporary audiences tend to view The Motion Picture as the “boring movie” or the “slow movie” or the “one with the bald alien chick movie. ” The fact that The Motion Picture is usually forgotten is quite unfortunate. Of all the Star Trek films, this is the most cerebral, artsy and exploratory as well as the closest to the original idea of the franchise.

In fact, I consider The Motion Picture to be a great film, one that is in desperate need of rediscovery. The Motion Picture starts with three Klingon battle cruisers, who are investigating a mysterious cloud near their space. As they are investigating, weapons from the cloud destroy the cruisers with no resistance. A nearby Federation space station monitors the engagement and realizes that the anomaly is on a direct course for Earth. All other Federation ships are out of interception range, except for one: the USS Enterprise. Kirk who is now an Admiral takes command of the Enterprise in order to intercept the mysterious object that will come to be known as V’Ger. In order to fully appreciate The Motion Picture it is important to look at the core idea of Star Trek. The fundamental theme of the series is discovery. Especially in The Original Series or in The Next Generation most of the episodes revolve around coming across a strange anomaly or a new civilization and learning about what it means to use.

Often times there will be some sort of problem, the ship and crew is put in peril, but ultimately comes out on top with a greater understanding of both humanity and what it means to exist in our large, uncharted universe. With that in mind, it is easy to see why The Motion Picture is the perfect continuation of the core principles of Gene Roddenberry’s vision of the future. As much as I love the other Star Trek movies well some of them it always has bothered me that no other film in the franchise besides The Motion Picture focused on the key mission of the Enterprise: “to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before. ” No other movie in the franchise has revolved around the idea of discovering what is “out there” and what it means to us. Only in The Motion Picture are we given the feeling of the vastness of space and the mysteries that lie outside of our galactic neighborhood.

The emphasis on exploring and coming in contact with new forms of life also allows The Motion Picture to have subtext. Subtext is the underlying message and tone of a story. It is what makes a movie stick with us. We are drawn in by the events of the movie, and thrilled by the adventure, but ultimately it is the message and themes of a movie that change who we are and give us perspective on our own existence. Star Trek always works best when there is subtext. For example, Star Trek II: The Wrath of Khan is not only a movie about two rivals fighting it out; it is also a movie about loss and finding one’s place in the universe. Kirk finally is forced to come to terms with the inevitability of death and we are reminded that all of our actions have consequences. The Motion Picture is chalked full of subtext. On the surface, the film is about coming in contact with other forms of life, specifically V’Ger, the giant sentient machine bent on destroying Earth. But that is not what the movie is really about.

Underneath the events of the story, The Motion Picture is really about the search for both a higher power and a place in the universe. V’Ger is on a quest to come in contact with its creator, leading it to confront the Enterprise. Spock is forced to reject the principles of logic that form the foundation of his civilization and look for his own path in life. Commander Decker, while not initially searching for anything, finds that his desire in life is to transcend the material and become a higher power. And Kirk… Well Kirk is not actually looking for God per se in this film we will have to wait for Star Trek V for that, and we don’t need to be reminded how that movie turned out but he is looking for the place that he fits in the universe.

He is getting older and is forced to come to terms with what all of his adventures actually mean to him in the long run, a thematic arc that will follow him throughout all of the Star Trek films. These themes allow us to look at our own lives and what it really means to determine our own destiny. What do we wish to find in our adventures and travels? Are we searching for a higher power to give us meaning to life, or are we simply looking to transcend the material and find a sort of higher plane of existence? As much as The Motion Picture is about search for a higher power or higher purpose in life, it also is about how we go about it.

The two factors in our search for purpose in life are logic and emotion. V’Ger is a machine, and therefore only thinks logically. V’Ger cannot feel and cannot experience anything resembling faith, which ultimately makes it unable to find its higher purpose. The same applies to Spock, who at the beginning of the film rejects the paths of pure logic in order to find his own destiny. In order to find ones purpose in life, a bit of emotion and faith need to come into play. Life cannot be built entirely on what is logical or what has the highest chance of success, sometimes we need to take a leap of faith into the great unknown in order to fully understand what our life means to us.

This is the ultimate meaning of Decker’s sacrifice at the end of the film. At some point in all of our lives we will need to make a decision that leads us down a completely unknown path because we believe that somewhere down the line we will be given great truth than that which we currently have. So at its core The Motion Picture is a big philosophical mess, which is generally when Star Trek is at its best. Besides the themes and ideas, The Motion Picture is also a beautifully shot film. The special effects have stood the test of time well.

The two big special effects shots the inspection approach of the Enterprise and the flyover of V’Ger are as beautiful and thrilling as they were back when the film was released. Fortunately, Robert Wise paces the film so that the viewer has time to enjoy the visuals and think about what is going on in the scene. Is The Motion Picture slow? But slow does not necessarily mean boring. Unfortunately modern movie goers have been conditioned to expect fast paced, whiz-bang action in all of their movies. It is a great change of pace to go back and watch The Motion Picture and enjoy as the movie gradually unfolds. I do not think The Motion Picture is a perfect movie. Sometimes the slowness is unnecessary, I could have used just a little more action, and the uniform designs are just awful thank heavens they were replaced in Wrath of Khan.

However, between this film and The Wrath of Khan we are able to see the two distinct sides of the Star Trek universe. Sure space has the prospect of swash-buckling adventure but it also is a place of exploration and discovery, where we will find great mysteries that ultimately will teach us what it means to be human. See all reviews. Top reviews from other countries. In all truth, I hadn’t seen the ‘original’ cut of ‘The Motion Picture’ in at least 20 years, ever since the Robert Wise Director’s Cut was released. The other truth is I probably prefer that version anyway. But, simple nostalgia led me back to this new release on the back of the upcoming 4K releases of the first four films. When a mysterious object threatens Earth, the newly rebuilt USS Enterprise and her crew may be the only ship who can save the planet. The long story behind the film itself has been talked about a great deal over time and for me, yes, I enjoy it, but it’s never not had flaws it can’t quite escape.

It’s probably the most ‘conceptual’ Star Trek film, with Gene Roddenberry’s vision of the future expressed most forcefully in visual terms. But the story is slow, and too much of the film is long sequences where the visual effects simply take over. But it remains spectacular in that regard and for all its script problems, it’s impossible not be taken in by the presence of a truly cinematic scale most of the sequels never quite recreated in the same way. Extras include a commentary, various documentaries, deleted scenes, storyboard art, trailers and TV Spots some of the ’s TV spots are quite fun really, especially comparing the horrid blurred TV image quality to that on the disc itself. There’s also been lots of different sets of extras on all the various editions over the years so this isn’t necessarily a definitive set of all extras ever produced for ‘The Motion Picture’, but it’s adequate given the £ Improved image richer colours, and the brightness has been taken down a few notches , but it's the theatrical cut.

I presume it's the same in the 4K boxed set available. The extras are okay. Nothing to write home about. If you already own the blu ray, I'd suggest an upgrade for image - but keep hold of the DVD director's cut. Report abuse. A rather underrated no overlooked film now.

In addition, Star Trek: The Original Motion Picture Collection will arrive on September 6 with all six big-screen adventures featuring the original series crew on 4K Ultra HD. Originally released in , Star Trek: The Motion Picture became the fourth highest grossing movie of the year and earned three Academy Award® nominations for Best Visual Effects, Best Art Direction, and Best Music, Original Score. The film successfully launched the Star Trek franchise beyond the original television series, despite having been rushed to theaters with incomplete special effects and forced editing choices. In , director Robert Wise revisited the film to refine the edit and enhance the visual effects. His updated vision was released on DVD in standard definition and embraced by fans but has never been available in higher definition until now.

Meticulously assembled and restored by producer David C. Fein and Matessino assembled a team of visual effects experts, led by returning visual effects supervisor Daren R. Dochterman, and utilized the extensive resources in the Paramount Archives to recreate the effects not just in HD, but in Ultra HD. Also includes access to a Digital copy of the film and the following new and legacy bonus content:. Ultra HD Disc bonus features: Red Alert! Beam in the latest Star Trek updates! Email Sign Up By subscribing to the Star Trek newsletter, which may include personalized offers from our advertising partners, you agree to our Terms of Use and acknowledge the data collection and usage practices outlined in our Privacy Policy. The set is presented in deluxe packaging along with exclusive collectibles, including reproductions of original promotional material, a booklet with behind-the-scenes images, stickers, and more.

This comprehensive disc collection includes the first six big-screen adventures featuring the original series crew in 4K Ultra HD with Dolby Vision and HDR Both Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country are making their 4K Ultra HD debuts. The set also includes access to Digital copies of each of the six films, as well as hours of new and legacy bonus content. Below is a breakdown of disc contents:. All six of the feature films listed above will also be available individually on 4K Ultra HD or Blu-ray.

In addition, in celebration of its 40th anniversary, Star Trek II: The Wrath of Khan will return to select theaters on September 4th, 5th and 8th. Tickets for this special engagement presented by Fathom Events, Turner Classic Movies, and Paramount Pictures can be purchased at www. com or at participating theater box offices. An email will not be created automatically. The email will only be created once you click on the "Send Email" button. Enter the email address associated with your account and we'll send you a link to reset your password. Create your own Star Trek: Lower Decks avatar! Search Submit. Star Trek I: The Motion Picture. The original six big-screen adventures also arrive on 4K Ultra HD September 6 in time for Star Trek Day. BY StarTrek. com Staff. July 6, AM PDT. This video is unavailable because we were unable to load a message from our sponsors. If you are using ad-blocking software, please disable it and reload the page.

Star Trek: The Motion Picture - Directors' Edition StarTrek. Star Trek: The Motion Picture - Director's Edition StarTrek. By subscribing to the Star Trek newsletter, which may include personalized offers from our advertising partners, you agree to our Terms of Use and acknowledge the data collection and usage practices outlined in our Privacy Policy. Star Trek II: The Wrath of Khan StarTrek. Star Trek: The Complete Adventures StarTrek. Copy to Clipboard. Send Email. First Name. Last Name. Email Address. Month January February March April May June July August September October November December. Year By creating an account, I agree to the Terms of Use and acknowledge that I have read the Privacy Policy. Barthélemy St. Helena St. Lucia St. Martin St. Outlying Islands U.

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Star Trek The Motion Picture Director's Cut Upscaled To 4K ( Klingon Attack),Movies Preview

Web5/06/ · Star Trek The Motion Picture Director's Cut Upscaled To 4K (Klingon Attack) Robert Wise Returned to Restore his vision for Star Trek: The Motion Picture with the Web5/05/ · Star Trek: The Motion Picture • Original vs Director's Edition • Comparison 21, views May 5, Comparison of notable changes made to Star Trek: The Web6/07/ · The first-ever widescreen presentation of the Special Longer Version of Star Trek: The Motion Picture, originally created for broadcast television in The set is Web1/06/ · Star Trek The Motion Picture - Special Longer Version - p HD restoration/reconstruction/fanedit Version (Released) Author slaynmage Date 13 Web21/06/ · This is a fan made preservation of the long out-of-print Special Longer Version in WIDESCREEN for the first time EVER! This preservation uses the original WebStar Trek: The Motion Picture () - Alternate Versions - IMDb Edit Star Trek: The Motion Picture () Alternate Versions Showing all 5 items On November 6, , ... read more

Again, thank you so much. Software Images icon An illustration of two photographs. FCPX mostly plays well with H other than the occasional burp here and there I only had two short scenes in the final edit where FCP did not want to play well with h so I converted those two small scenes to prores and everything else turned out ok. Upscaling the SLV scenes was a trial and error adventure. Mark Lenard Klingon Captain. Originally posted by: FanFiltration Guys, I would LOVE and NEED to get a hold of that HD2DVD version. Release date December 8, United States.

The footage from was digitally restored and remastered, and combined with the new CGI elements. Star Trek I: The Motion Picture. Star Trek: The Motion Picture Original title: Star Trek: The Motion Picture - The Director's Edition. There were three scenes with scratches that Film9 was unable to clean. It has a scene of Spock sharing a tear "for V'Ger" and Scotty ordered to self-destruct the ship if the landing party is unsuccessful.